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Glass figurines

A category for objects composed of glass, also referred to as “glass art” or “studio glass,” as distinct from the mass-produced, functional glass used in buildings, furniture, and even some sculpture. Objects in this category are typically hand-made by expert craftsmen, using techniques such as glass-blowing, casting, bead-making, or stained glass. 

Color

When used in art glass or studio glass is colored using closely guarded recipes that involve specific combinations of metal oxides, melting temperatures and "cook" times. Most colored glass used in the art market is manufactured in volume by vendors who serve this market, although there are some glassmakers with the ability to make their own color from raw materials.

Naturally occurring glass, especially the volcanic glass obsidian, was used by many Stone Age societies across the globe for the production of sharp cutting tools and, due to its limited source areas, was extensively traded.

History of silicate glass

Glassmaking has a long history in human civilization, dating back to the 2nd millenium B.C.E. Renowned Murano glass—so-named for the small Italian island where it is produced—is made using techniques that date back to the 8th century. 

Glass remained a luxury material, and the disasters that overtook Late Bronze Age civilizations seem to have brought glass-making to a halt. Indigenous development of glass technology in South Asia may have begun in 1730 BCE. In ancient China, though, glassmaking seems to have a late start, compared to ceramics and metal work. 

From the 19th century, there was a revival in many ancient glass-making techniques including cameo glass, achieved for the first time since the Roman Empire and initially mostly used for pieces in a neo-classical style. The Art Nouveau movement made great use of glass, with René Lalique, Émile Gallé, and Daum of Nancy producing colored vases and similar pieces, often in cameo glass, and also using luster techniques. Louis Comfort Tiffany in America specialized in stained glass, both secular and religious, and his famous lamps. 

The early 20th-century saw the large-scale factory production of glass art by firms such as Waterford and Lalique. From about 1960 onwards there have been an increasing number of small studios hand-producing glass artworks, and glass artists began to class themselves as in effect sculptors working in glass, and their works as part fine arts.